Evidence For Cognitive Penetration Within Art - 929 Words

Evidence for Cognitive Penetration in Art Is it possible for two people to perceive the same picture and have the same experience? How are experiences of, and consequent judgments about, artworks affected by artistic and aesthetic expertise (Stokes, 2014)? Let’s say that each person shares the same mental states, beliefs, and desires about this picture. If this scenario is possible, then it must be that cognitive penetration is possible too. The goal of this paper is to demonstrate the possibility of cognitive penetration by using aesthetics as an example. Cognitive penetration states that, belief, experiences, moods, and desires or background knowledge can affect the content of perceptual consciousness (Pajus, 2012). If it can be proven that the perception of art can effect mental states, then it would solidify cognitive penetration’s current position. It should be noted that philosophers that adopt modular theories of the mind will be opposed to my position. With that said, it is the aim of my argument to go against those who maintain modular positions on this topic a.k.a. that perception is cognitively impenetrable. This paper assumes that everybody reading it maintains a modular view on the mind, or a similar opposing view. In this paper the underlying goal is to use the example of, an art expert and an art layman’s perception of art in order to reinforce the view, that perception is cognitively penetrable. It is the view of the classical Fodorian model of the mind,Show MoreRelatedRacism towards Native Aboriginal People of Australia2634 Words   |  11 Pages 1988.) This essay will discuss the fundamentals of the past and present which correlate to Aboriginal health and wellbeing by exploring the ideology that ‘healthy country means healthy people’. 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